sighonaraa:

having a favorite character from a piece of media you haven’t seen but one of your mutuals is unwell about is like. that’s my nepo blorbo from the gifsets,

(via marywhal)

whatsupbeanie:

image
image
image
image

What was the last thing you read/watched that made you feel like this? I think for me it’s each time I rewatch the Good Place haha

(via saucywenchwritingblog)

elizaoz-art:

image

the girl :)

(via telltaletypist)

skinnedout:

people r always saying “get therapy” 2 ppl who have actually had too much therapy and need to do two years of a brutal physical labor job instead Genuinely no more therapy-speak and obsessing over the supposed intricacies of your average mind for you get your ass on the Alaskan salmon fishing boat

(via dicaeopolis)

theshitpostcalligrapher:

sashayed:

ruckuscauser:

da-boy-o-kultur:

prokopetz:

prokopetz:

A thing that bothers me about wizard schools in popular media – outside of the magic-grade-school stuff, anyway – is that they’re typically depicted as being basically magic universities, but their actual curricula and pedagogical approaches look much more like those of a technical institution. Like, buddy, that’s not a wizard university, that’s a wizard trade school. You can’t just slap university student culture on top of trade school pedagogy. It doesn’t work like that – the one emerges from the other!

“Well ACTUALLY wizards are” wizards are made up. They can be analogous to whatever real-world class or vocation the author wants. Wizard-school-as-university and wizard-school-as-technical-institute are both perfectly fine; what I am grumping about is wizard-school media that doesn’t seem to have a clear picture of how different sorts of educational institutions actually operate.

Okay but now I really want to know what a Wizard technician would look like. Would he wear magical overalls with all kinds of reagents and magic tools sticking out of his numerous pockets?

A guy like that walks into your tower with a toothpick in his mouth, takes one look at your summoning circle and goes

“I see yer problem. You used chalk B12 instead of S3. B12 is only for transmutation circles. Gimme a sec I think I have a piece somewhere here.”

He fixes your circle, test summons an imp and goes.

“There ya go. Fit as a fiddle.”

“It’s the chalk.”

“The chalk? I always use that chalk, it’s never been a problem.”

“Ah - yes. This stuff will work just fine for most circles, but, uh - here, take a look with my loupe. You see the off-color flecks? Can’t hardly see them with the naked eye, but those are impurities. Silicates, might even be some iron in here, to be honest. Usually won’t cause a problem, but - you said you hadn’t tried this particular summons before?”

“First time trying a 5th level, yeah.”

“Those silicates will make your scribing a little fuzzy when viewed from the astral plane. You see, for example, these three fine lines here? With this chalk, on the astral that looks like one thick line with fuzzy edges. They can’t tell exactly what you want, and they’re picky lil’ critters so they just won’t do anything in response.”

“Really? Oh. I always thought the expensive chalk was just fancy to be fancy.”

“Making pure chalk is difficult, you need a dedicated production line or dust gets in the finished product. To be honest, you don’t need to bother with it for most things, but 5th and up, 5th level and up, it actually is necessary. Anything with lines within about two millimeters of each other.”

“So I need to start over?”

“Unfortunately yes. You’ll have to erase all this, but with some good chalk it should work just fine. Next new moon your summons should go off without a hitch.”

“Dang. At least it’s not my sigils, I was worried it was my sigils.”

“Nah Your sigils look good. Even and balanced. You know what you’re doing, it’s just an equipment problem.”

“Thanks for the help, sorry to make you come all the way out here.”

“No problem! It’s my job.”

#scene from moonstruck with vincent gardenia explaining the different types of pipes but it’s metallurgy ores #there’s the kind of ore you have— which is garbage. then there’s steel which is pretty good. unless something goes wrong. #and something always goes wrong. #and then— there’s copper. which is the only kind of ore i use. #it costs money. it costs money because it saves money. (@macklesufficient)

image

oh my god they’re installation wizards

(via bixbythemartian)

lgbtunis:

lgbtunis:

oh my gd these two films came out on the same day? should tell everyone? should we throw a party? should we invite gender essensialism

should we invite insensitive jokes about some of the largest massacres in human history that effects people to this day

(via bixbythemartian)

o0kawaii0o:

image

Link, you must find me

!! Spoiler version under cut !!

Keep reading

(via secondus)

beif0ngs:

Hobie being Miles’ #1 supporter, hype man & homie 👊🏿

(via ave-aria)

secondlina:

ur-gay-shark-dad:

image

join us join us join us join us join us join us join us join us join us join us join us join us join us join us join us join us join us join us join us join us

The Cöuncil Mêêtingh

(via assassinregrets)

foxbirdy:

The cover page for a digital comic. A trailhead information board stands in a lush green forest, with a trail map, and two signs pinned to the wood. The text on the signs read: "BY BECKETT JONES" and "THE TRAVELER'S WARNING."ALT
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a work boot, a leather-bound journal, a compass, and a colorful rock bracelet.   The first panel is a Forest Service gate on a dirt road, slightly ajar. The road goes out of sight into leafy green shadows. There is one wooden sign nailed to a tree, and two white and green signs secured to the gate. The text on these signs reads: "TRAVELER, STOP!  IF YOU TAKE THIS ROAD YOU WILL BE  FUNDAMENTALLY CHANGED FOR BETTER OR WORSE."  The second panel is a crumbling concrete barrier in gray, driving rain. There are evergreen trees in the background. There is a hand symbol pointing to the right engraved into the barrier, and text that reads: "YOU WILL RETURN FROM  THIS JOURNEY  IRRECOVERABLY ALTERED  IN WAYS"    The third panel is a waterfall with conifer trees, behind a glossy red sign with "no swimming" symbols. White text on the sign reads: "YOU CANNOT COMPREHEND  BEFORE YOU UNDERGO  THIS TRANSFORMATION."ALT
Two comic panels on an off-white background. An espresso machine portafilter is pictured in the negative space in the page.   The first panel is of a red rock slot canyon, with a rushing green river at the base. A rusted yellow sign stands in the water, with a flash flood symbol and text that reads: "NO ONE ON EARTH  WILL UNDERSTAND THE  METAMORPHOSIS"  The second panel is a wooden sign hanging from the eaves of a roof, in front of a snow mountain scene. Stars twinkle in the night sky. Warm red text on the sign reads: "EXCEPT THOSE WHO EXPERIENCED IT  WITH YOU. THE PEOPLE WHO LOVE YOU." There is an arrow symbol and two foamy mugs also depicted on the sign.ALT
Two comic panels on an off-white background. Objects depicted in the negative space of the page include a key ring, a pocketknife, a stuffed toy mountain bluebird, and a bandana.   The first panel is a road with a center stripe in a sagebrush plain, with big orange clouds in the sky. A coyote slinks across the road. A big green highway sign with white arrows reads: "MAY CEASE TO TRULY KNOW YOU.  WALKING BACKWARDS  WILL NOT HELP YOU"  The second panel is of a high alpine wildflower meadow, with a glaciated Mount Tahoma in the background. A wooden stake reads: "WALKING FORWARDS" ALT
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a headlamp, a trowel, and a plant sprig in a ziplock bag.   The first panel is a wildfire sunset above a barbed wire fence, surrounded by blooming fireweed and evergreens. An orange wildfire hazard sign reads:  "IS INEVITABLE  YOU CANNOT STAND STILL"  A gray jay sits on the top of the sign, eyeing the viewer.   The second panel shows a dilapidated wooden shack, covered in moss and white and orange mushrooms. Evergreens and leafy undergrowth surround the structure, and a Pacific gray tree frog sits on a leaf in the foreground. Text carved into the wood reads:  "YOU MAY NO LONGER RECOGNIZE  YOUR HOME"   The third panel is a chinook salmon run in a green forest. Underwater reeds flow on the river. A white sign nailed to a tree trunk, with water symbols and text that reads: "IT CANNOT STAND STILL EITHER."ALT
Three comic panels on an off-white background. Objects depicted in the negative space of the page including an ammonite fossil on a leather cord, a green nalgene, a peach, and a pulaski.   The first panel shows a gray ocean storm, with waves crashing against big, dark rocks. A tsunami hazard zone sign reads: "IF YOU SURVIVE THIS"   The second panel shows a round orange bouy floating in a sea illuminated by bioluminescent plankton. Stars glitter overhead. Text on the bouy reads:  "YOU WILL BECOME PART  OF A WORLD"  The third panel shows a pair of dolphins in the water, adjacent to a white boat. A red sticker on the gunwhale reads: "THAT DOES NOT YET EXIST"ALT
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a pair of sunglasses and a machete.   The first panel shows a dessicated Greater Frigatebird cradled in the branches of naupaka shrubs on a sandy shoreline. Pink flagging has been tied to a branch, and black handwriting reads: "IF YOU DIE HERE"  The second panel shows a blacktip reef shark swimming on a coral reef. And underwater sign affixed to steel chain shows a skull and crossbones, and text that reads: "YOU WILL COME BACK"  The third panel is a GPS unit held up to the sky, showing a GPS track and text that reads "WRONG." Seabirds fly overhead. ALT
Three comic panels on an off-white background. Objects shown the negative space of the page are a snickerdoodle cookie and bright flowers threaded on a string.   The first panel shows a pair of hands holding a sooty tern with a radio tag. Another pair of hands write in a notebook, and handwritten text on the page reads: "TRAVELER YOU HAVE BEEN WARNED"   The second panel shows the leg of the sooty tern, which has been fitted with a birdband.   The third panel is a pair of fingers holding the birdband so that engraved text faces the viewer. The text reads "AND NOW YOU MUST GO." ALT

A short comic I made about my experiences as a seasonal worker, and the way places change you.

Prints & PDF

(via probablyasocialecologist)